![]() The Vietnam allegory was half intentional, half a result of the low budget, as evidenced by the raw docudrama aesthetic. Yes, Night brought us the genesis of the modern zombie and was justly praised for using a horror setting, a genre previously seen as nothing but shock value entertainment, to explore then-current themes like the war in Vietnam and civil rights, but both praiseworthy aspects were as much collateral effect as principal target. ![]() Romero’s Dawn of the Dead was as important to propelling forward the zombie sub-genre, and horror cinema as a whole, as Night of the Living Dead. ![]()
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